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Dancap Productions

Hot Date: Salsa Meets Hip Hop in the Heights

photo by John Daughtry

FEBRUARY 7 TO 19 Toronto gets a dose of hot Latin flavour this month courtesy of In the Heights, a modern musical that honours Broadway traditions. Winner of four Tony Awards—including Best Musical, Best Score and Best Choreography—the production pulls audiences into the story of a Latino community in Manhattan’s Washington Heights district, and how the immigrant residents cope with life’s struggles while holding on to their dreams. Brimming with energetic salsa-meets-hip-hop music and beautifully choreographed dancing, it’s certain to get your head bobbing and feet tapping. Toronto Centre for the Arts, $40 to $135; visit here for more information and tickets.

Weekend Roundup: January 6-8

Friday: Demar DeRozan looks to lead the Raptors to a third straight victory

Friday, January 6
The NBA lockout finally concluded on Christmas day, the shortened basketball season is starting to pick up and our hometown Raptors are on a two-game winning streak. Cheer them on tonight as they take on the New Jersey Nets (including former “Mr. Kardishian” Kris Humphries) at the Air Canada Centre.

The Next Stage Theatre Festival is back for another year at Factory Theatre. The festival’s first weekend features top independent stage shows including The Tiki Bikini Beach Paradise Party A-Go-Go! and Living with Henry.

Drama meets punk rock as Broadway smash American Idiot continues its short-term run at the Toronto Centre for the Arts. Featuring tunes such as “Wake Me Up When September Ends” and “Boulevard of Broken Dreams” from Green Day’s Grammy-winning album, this contemporary musical is not to be missed.

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Hot Date: Green Day’s American Idiot

photo by Doug Hamilton

DECEMBER 28 TO JANUARY 15 Punk rock gets the Broadway treatment as the hit musical American Idiot comes to Toronto. Based on the Grammy-winning 2004 album by Green Day, this modern-day rock opera tells of angst-filled youths caught between their dreams and the confines of suburbia. Conceived by bandleader Billie Joe Armstrong, this emotionally charged production combines Green Day’s familiar songs—“Jesus of Suburbia,” “Wake Me Up When September Ends” and more—with a dramatic story of longing, loss and redemption. Toronto Centre for the Arts, $62 to $180; call 416-644-3665 or visit here for showtimes and to buy.

Hot Date: The Golden Voice of Colm Wilkinson

photo by David Leyes

AUGUST 12 & 13 He’s made a career of captivating audiences on Broadway and in London’s West End. Now acclaimed singer and theatre actor Colm Wilkinson steps charismatically back on to the Toronto stage for two nights only. The Irish-born star—who has made his home in this city since 1989, when he began a five-year stint in The Phantom of the Opera—is set to showcase his much-praised pipes with a mix of show tunes, pop songs and timeless ballads, including “The Music of the Night” and “Danny Boy.” Four Seasons Centre for the Performing Arts, 8 p.m., $52 to $215; call 416-644-3665 or visit here to buy.

Hot Date: What is Next to Normal?

photo by Joan Marcus

JULY 19 TO 31 A bold and harrowing story of psychiatric ethics and suburban life, Next to Normal is not your average Broadway musical. Brought to Toronto by Dancap Productions, this dramatic rock musical—winner of the 2010 Pulitzer Prize for Drama, along with three 2009 Tony Awards—tells of a family struggling to care for one another while battling mental illness. Alice Ripley reprises her acclaimed lead role as a mother whose worsening bipolar disorder sends her into a tailspin. Four Seasons Centre for the Performing Arts, Tuesday to Saturday 7:30 p.m., Wednesday, Saturday and Sunday 2 p.m., $34 to $129; call 416-644-3665 or visit here to buy.

Hot Date: Donny & Marie Pair Up

photo by Erik Kabik

JULY 5 TO 17 Direct from Las Vegas, famed sibling entertainers Donny and Marie Osmond offer up an exclusive engagement of their theatrical concert showcase. In Donny & Marie Live (page 48), the pair perform their greatest hits like “Paper Roses,” “Puppy Love” and “One Bad Apple” in a multimedia spectacle featuring show-stopping production numbers, a rock band and sizzling backup dancers. Four Seasons Centre for the Performing Arts, Tuesday to Saturday 7:30 p.m., Sunday 2 p.m., no show July 11, $52 to $240; call 416-644-3665 or visit here to purchase.

Hot Date: Love and War in the South Pacific

photo by Bruce Bennett

AUGUST 12 TO SEPTEMBER 5 Set during the turmoil of World War II, two parallel love stories comprise the Tony Award–winning Rodgers & Hammerstein musical South Pacific. Amidst a wartime of atmosphere of racial prejudice, nurse Nellie Forbush struggles with her feelings for plantation owner Emile de Becque, while Joe Cable, an American marine Lieutenant, finds himself falling for Liat, the daughter of the local grass-skirt seller. Internationally renowned standards such as “Some Enchanted Evening” and “I’m Gonna Wash That Man Right Outa My Hair,” provide a tuneful score. Four Seasons Centre for the Performing Arts, Tuesday to Saturday 7:30 p.m., Wednesday, Saturday and Sunday 2 p.m., $28 to $200; call 416-644-3665 or visit here to reserve.

Hot Date: Saigon Story

Photo by Matt Polk

JULY 9 TO AUGUST 1 A naïve orphan girl and an American GI fall in love amidst Saigon’s exotic but turbulent landscape in the musical Miss Saigon, inspired by Puccini’s Madama Butterfly. In this tragic tale of doomed lovers, Chris, a young soldier about to depart war-torn Vietnam is besotted with the virginal and teenage Kim, who works as a dancer in a seedy club. The themes of sacrifice, hope and motherhood come together in this dramatic and timeless story as Chris, who later marries an American woman, discovers he and Kim have a son together. Four Seasons Centre for the Performing Arts, Tuesday to Saturday 7:30 p.m., Wednesday, Saturday and Sunday 2 p.m., $28 to $175; call 416-644-3665 or navigate here to reserve.

Curtains Up: On Stage in October

Stages across the city light up again for a new season of award-winning productions, hum-along musicals, reflective dramas and a parade of Canadian talent.
—By Danielle Milley

The cast of <i>The Boys in the Photograph</i><br>photo by Bruce MonkPOLITICAL DRAMA
ON NOW Held over from the 2008-09 season, Mirvish Productions’ acclaimed musical The Boys in the Photograph finally has a home in Toronto. This reworked piece by Andrew Lloyd Webber and Ben Elton is a coming-of-age story set in Belfast during the late 1960s and early 1970s at the beginning of a 30-year civil war. An all-Canadian cast brings to life the conflict of religious prejudice and how a unisex soccer team copes with strenuous circumstances, struggling to find peace and freedom through love. Royal Alexandra Theatre, 260 King St. W., Tuesday to Saturday 8 p.m., Wednesday, Saturday and Sunday 2 p.m., $26 to $110; call 416-872-1212 or click here to purchase.

FAMILY TRAUMA
ON NOW After an attention-grabbing run in the U.K., True Love Lies makes its North American premiere. Originally developed in a workshop, the powerful piece kicks off Factory Theatre’s 40th-anniversary season. Writer Brad Fraser, one of the country’s best known playwrights, also directs the gritty, funny and poignant story about a modern Canadian family and the secrets that can tear one apart. Factory Theatre, 125 Bathurst St., Tuesday to Saturday 8 p.m., Sunday 2 p.m., $15 to $35; call 416-504-9971 or navigate here to order tickets.

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Make Your Way to Green Gables—It’s the Place to Be!

Anne of Green Gables marquis at Elgin Theatre. (Photo by Linda Luong.)

Anne of Green Gables marquee at Elgin Theatre. (Photo by Linda Luong.)

Last night I attended opening night of Anne of Green Gables—The Musical, and even if you don’t have the same childhood nostalgia for Anne as I do, you’ll still be endeared by her plucky charm and find yourself rooting for the red-headed orphan girl.

Although this is Canada’s longest-running musical—2009 marks the production’s 45th year—and has enjoyed an international tour to places such as Japan and the U.K., this cherished Canadian tale is making its debut in Toronto now with the support of Dancap Productions.

I admit to being a bit apprehensive about how one of my favourite books would be translated onto the stage. (It’s a book I read every year still in a nod to my childhood, and there are passages I can recite by heart.) Sure, the show had been running for 45 years, but could it translate Anne’s nuanced spunk and innocence into song and dance? How would some of the events that shaped Anne and made her so special be adapted for the stage?

Fortunately, as it turns out, the 3.3 million people who have seen the show before me last night turned out in droves with good reason. Anne’s spirit, so colourfully depicted by Lucy Maud Montgomery, leapt off the page and onto the stage of the Elgin Theatre with all of its old-fashioned yet timeless charisma. Amy Wallis as Avonlea’s youngest heroine does the role more than justice with her exuberance, and Sandy Winsby as soft-spoken Matthew Cuthbert, serves as a counterpoint with his humble, folksy nature.

One unexpected aspect of the show that surprised me but which I absolutely loved were the dance numbers, such as “Back to School Ballet” and Nature Hunt Ballet.” Decked out in layered petticoats and pinafores, the actors still moved gracefully across the stage. They leap-frogged over each other, and swung around in circles with their hooped skirts floating weightlessly around them with such ease.

Anne of Green Gables—The Musical is in Toronto through May 24. So get your tickets and acquant—or re-connect—with a kindred spirit.

Musical Feature—Anne of Green Gables

The childhood classic Anne of Green Gables is melodiously brought to life.
—By Amy Baker

Vancouver-born actress Amy Wallis embodies the mercurial spirit of young Anne Shirley

MAY 7 TO 24 A beloved east coast tradition arrives this month in Toronto, as Anne of Green Gables—The Musical enlivens the Elgin Theatre’s historic stage. Telling the heartwarming tale of Anne Shirley, a spunky, redheaded orphan who journeys to Prince Edward Island in search of a place to call home, the show premiered more than 40 years ago in Charlottetown, P.E.I., yet its timeless characters and story are sure to delight theatregoers even today.

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