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Must-See Performances in November and December

NOVEMBER AND DECEMBER ARE FULL OF EXCITING PERFORMANCES FROM BALLET TO ACROBATICS TO MAGIC, AND MORE  

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The 7 Fingers Cuisine and Confessions merges acrobatics with the art of cooking. Photo by by Alexandre Galliez.

Mirvish Productions, Toronto’s largest theatre company, is closing out 2016 with a program of more esoteric—yet still ambitious—shows to complement its typical grander-scale fare. The 7 Fingers Cuisine and Confessions (November 1 to December 4), for instance, blends acrobatics and cooking in a theatrical feast for the senses, while Fight Night (November 4 to 20) concocts an immersive exploration of democracy—just in time for the fireworks of the U.S. presidential election. And there’s more spectacle to be found in The Illusionists (starts December 13), which features awe-inspiring tricks by seven of the world’s top magicians.

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Soulpepper’s Alligator Pie is fun for the whole family. Photo by Cylla von Tiedemann.

The spotlight also shines on sleight of hand courtesy of Soulpepper Theatre Company and magic maestro David Ben’s Hocus Pocus (starts December 10). Equally inventive—and family-friendly—are Rose (December 16, 17, and 22), a concert presentation based on The World Is Round, a children’s book by Gertrude Stein, and Alligator Pie (starts December 27), an award-winning adaptation of Dennis Lee’s poems. 

And for more adult-oriented fare, turn to the Canadian Stage and Daniel MacIvor. His solo show, Who Killed Spalding Gray? (November 30 to December 11), combines the Canadian playwright’s uniquely disarming scripting with some of the titular character’s famed monologues in an interrogation of truth and fiction.

ENCORE PERFORMANCES

A pair of repertory remounts round out the National Ballet of Canada’s year-end slate—alongside its annual production of The Nutcracker (December 10 to 31), naturally. Most recently performed in 2014, James Kudelka’s Cinderella (November 12 to 20) offers a thoroughly modern interpretation of the age-old fairy tale, and later, the expressive Onegin (November 23 to 27)—John Cranko’s adaptation of the Pushkin novel, Eugene Onegin—aims for emotional and psychological nuance even while its dancers push the boundaries of what the human body can do.

Sharing the Four Seasons Centre stage with the National Ballet means that the Canadian Opera Company has for the time being ceded the spotlight, but the COC presents a great reason to return in 2017: its ever-popular production of Mozart’s The Magic Flute (January 19 to February 24).

HITTING THE RIGHT NOTES

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Itzhak Perlman enchants audiences with his performances of beloved movie scores.

The popular music of previous centuries—that is, classical music—is always in vogue with the Toronto Symphony Orchestra. But the venerated ensemble keeps up with the times, too, by presenting contemporary scores. Among this winter’s biggest tickets are Itzhak Perlman’s “Cinema Serenade” (November 22)—in which the famed violinist performs themes from films, including Cinema Paradiso, Sabrina and Schindler’s List—and screenings of Lord of the Rings: The Fellowship of the Ring with live TSO accompaniment (December 1 to 3). Christmas classics also get an airing in variety show-style concerts hosted by Colin Mochrie (December 9 to 11) and Jann Arden (December 13 and 14).

Meanwhile, another hallowed musical institution hones in on jazz. The Royal Conservatory’s Koerner Hall schedule features the likes of Joe Lovano’s quintet with Afro-Cuban piano legend Chucho Valdés (November 9), a cabaret-style pairing of vocalists Laila Biali and Pilar (December 1), and explorations of the trio format with threesomes led by pianist Stefano Bollani, bassist Roberto Occhipinti (both November 18), organist Joey DeFrancesco and saxophonist Christine Jensen (both December 10).

—Craig Moy

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